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A Mountie sets out to infiltrate and break up a gang of counterfeiters.
Story of a prostitute/madame (Gale) in the 1890s and her quest for "self"; a man who becomes obsessed with her (Kash); and the fanatical cop (Moore) determined to get her.
Western, featuring Rin Tin Tin Jr., about a man trying to find an old friend in a town that is trying to deceive him.
Gen. Ulysses S. Grant has a job for Wild Bill Hickok (George Houston) and his sidekick (Al St. John).
No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.
Based on Edgar Lee Master's "Spoon River Anthology" from 1915, this is the story of Tom Merritt.
A mining engineer, who is shunned by his peers for his unorthodox beliefs concerning the whereabouts of large uranium deposits, joins forces with a girl and her father to search for the mineral. When the father is hurt in an accident, daughter and engineer continue the project, aided by a Native American guide. Unbeknownst to the group, a reputable citizen of the town, really of low moral value, is shadowing them, his intention to jump their claim.
Seref, who returns to his country after many years in America, as a dollar billionaire with a cowboy hat on his head, and with his Dallas-type boots has an interesting past: Twenty years ago he has lost his sweetheart Melek to his closest friend, and furthermore, has been put in prison. He found a way to escape from prison, going to America, the country of dreams. Here, he has become a businessman with boundless wealth, known as Seref The Turk. When he returns to his country as an American, even though he has some commercial aims in mind, his real desire is to take revenge. He will settle accounts with the friend who stabbed him in the back many years ago, and with Melek who is betrayed him. However, when he sets foot in Turkey with yearning, he meets 'Small America' in chaos. On top of that, while looking for Melek, he finds himself in the middle of a funny and exciting adventure where sexuality and violence mingle.
Recovering from a toxic relationship, James Savage confronts both his inner demons and enigmatic ex-girlfriend, Janet, before she executes a world-ending ritual. James navigates her reality-bending universe of ethereal monsters while facing the truth of his own addictions and skewed sense of self-worth. James learns that the only route to love is through healing.
Luis Aguilar dons the mask of The Scarlet Fox, a daring masked hero who fights injustice across the rugged Mexican frontier in this thrilling introduction to the Scarlet Fox series.
A former gunman turned priest seeks vengeance on three bandits who are masquerading as law-abiding citizens.
In a small western town in Arizona called Jaspen, a boy is born on Christmas Day. Joseph "Joe" Novak is born in a makeshift shelter, but his mother, Marika Novak dies during childbirth. Because of the day he was born, the boy will be nicknamed Christmas Joe. Joe's father will never forgive him for the death of his wife, which will lead Joe toward a rebellious attitude. He will become a troubled teenager, and will end up learning how to shoot. Joe will also reject his father's pacific attitude.
Spilling patches of colours are arranged in the form of cowboys and horses, creating a parody of the western.
20 years ago, 3 men robbed a stage and hid $30,000. They were caught and sent to prison by Marshal Steve Autry. 20 years later, the men bust out of prison and return to the ghost town where they stashed their treasure searching. Steve's grandson picks up where Steve left off to foil the plans of the outlaws.
A young European, Diego Medina (Carvell), joins the Mexican revolution and becomes a courier for Pancho Villa. He is captured and tortured by the Federales but escapes to the desert where he meets and joins a bandit named Malpelo (Fajardo) and his gang.
Interesting and sometimes funny adaptation of a Mark Twain short story. Hatfield is a carpetbagger who marries the daughter of a prominent plantation owner in order to humiliate him. He mistreats his wife, but she stoically refuses to complain to her father.
Two episodes from the "Wild Bill Hickok" TV series edited together and released as a feature.
Riders of the Black Hills is a 1938 American Western directed by George Sherman. The intrepid cowboys known as the Three Mesquiteers; Stony (Robert Livingston), Tucson (Ray Corrigan) and Lullaby (Max Terhune) are on the case when rancher Peg Garth's (Maude Eburne) prize racehorse is abducted by bookie Rod Stevens (Tom London) and a secret cohort to prevent it from winning an important race.
As Alice and Cora Munro attempt to find their father, a British officer in the French and Indian War, they are set upon by French soldiers and their cohorts, Huron tribesmen led by the evil Magua. Fighting to rescue the women are Chingachgook and his son Uncas, the last of the Mohican tribe, and their white ally, the frontiersman Natty Bumppo, known as Hawkeye.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.