Fresh arrivals, theater releases, and newly added cinema
A young woman's relationship with her father reaches its crisis point when he mistakenly purchases a new line of 'massagers' and 'toys' for their Chinatown gift shop in danger of being closed down.
A queer auto-narrative between desire, ecstasy and regret. In the club, by the lake or going home at night – one's own judgement is often faster than the question of how one really feels.
Narrated by Steve Paikin, Forgotten War explores post-World War II conflicts through the eyes of Canadian veterans. This is an existing TVO-produced series, edited into an hour-long program and includes conflicts in Korea, Afghanistan, Cyprus, and the former Yugoslavia.
After taking a detour on a deserted road, a professional entertainer is pursued by a menacing pick-up truck and must outsmart its relentless driver to survive.
For the Sasak indigenous People community, Cilokaq is not merely a form of entertainment, but a space for expression and identity-building that enjoyed great success during the VCD era; as a second-generation member of the Cilokaq Slemor Ate Jelantik group, Ojan utilises the digital space to revive this traditional music in its purest form amidst a modern industry landscape dictated by social media algorithms and artificial intelligence (AI).
Ottrai Poovin Punnagai (Smile of a Single Flower)' captures the life of Rajalakshmi Senthilkumar, a Bharatanatyam teacher in Chennai, through the eyes of her son. While it celebrates her role as a mentor, it also reveals the simple, beautiful moments of a small girl whose life blossomed through dance, passion, and devotion. A gentle, intimate portrait of a life lived with grace and love.
A gaggle of geese goes glamping (with ghosts)
Aakhri Mulaqat follows a photojournalist's investigation into an illegal fake antibiotics racket. Meanwhile, tensions between two rival gangs escalate, fuelled by greed and revenge. As violence brings one conflict to an end, it sets the stage for another, in a cycle that never truly ends.
Film student Matt Newsom spends the summer of 2026 doing god knows what and records all of it for some reason
Inspired by the Yunnanese concept of chit-chatting, the film gently moves through the everyday lives of Yunnanese women navigating the northern Thai-Myanmar border. From doorsteps to coffee shops, the camera lingers to capture fragments of memories, histories of flight, and the echoes of lives shaped by conflict.
Bernie de la Renta is an ordinary worker and family man who must make a great sacrifice to belong to a powerful sect.
a despondent teen is allured by his familial past
A gesture of erasure. A spell. If you lift the emulsion from a photograph, destroy its surface, transplant it onto a new body, does the memory it carried survive? Need and Desire originates from this question, and from the poetic belief that making a film can alter reality. The cinematic act becomes incantation: a process that destroys and reconstructs simultaneously. Still memories become an “emulsional” landscape. Need and Desire is a cameraless handmade film exploring the materiality of emulsion through instant photographs lifted and transplanted onto a Super 8 polyester base of recycled film scraps.
Converted into a non-human character the protagonist enters a digital space. A territory that is being constantly reshaped and avatars imposed upon the players. Using video game imagery, the film examines the similarities between events in the Balkan corridor and the logic of video game worlds. It explores how certain groups are perceived through virtual environments and dangerous analogies.
A call returns Manuel to the town. His grandmother Mima, who for years wrote him letters and reflections, is no longer completely present: her memories have begun to fragment. Manuel decides to read them with her to check what remains, and in that gesture she recognizes her own need to write. For three years he records a file that documents at the same time a relationship and its transformation. While Mima's voice goes out, Manuel finds in the music a way to sustain what is leaving: not to retain it, because he understands that that is not possible, but to accompany it while it is still there.