Fresh arrivals, theater releases, and newly added cinema
A married woman reflects on her life and decides to get away from her city and start a new life. leaving a drunk husband and a young boy. But can she?
The gardener’s peaceful routine is disrupted when a loud, free-spirited musician moves in next door. As tensions rise between them, an unexpected connection blossoms between the unlikely neighbors.
The early life of Voltaire, before he became one of Europe's most influential writers and philosophers.
A film school is holding an aptitude exam for its directing program. Güney, the last candidate of the day, is called into the room. What begins as an ordinary student interview gradually spirals out of control when his ex-girlfriend arrives. As the jury’s familiar questions give way to personal reckonings, the examination room becomes a courtroom where it is no longer clear who is judging whom.
At the tail end of the 19th century, a young up-and-coming composer and author named Larysa Petrivna Kosach Kvitka decides to take her amateur writing to the next level, and, along with a group of like-minded individuals forms the Pleiada Literary Association and takes on a new name: Lesya Ukrainka.
When the zombie apocalypse breaks out, two unsuspecting heroes discover that there is one trick to not get bit: You must stay drunk. They decide to throw the biggest party in town to save as many people as they can. Starring Dave Anthony (Maron) and Gareth Reynolds (New Girl), this horror-comedy is a party you won't want to miss.
Martin, a graphic designer trapped in front of a blank screen, struggles unsuccessfully to finish a logo. When inspiration fails to come, he turns to TroIA, an artificial intelligence that promises to help him. But as the tool learns from him, Martin begins to wonder how much of what he creates is still truly his.
Leo tries to come to terms with having lost his best friend Olivia. Through his stream of consciousness, memories become unearthed and a shadow of her haunts him.
The film portrays the journey of Jeong Gyu-ji, who has faced nine layoffs from different jobs, and her growth throughout the experience.
Dai, a middle school student, wants to curse the person responsible for killing Norangi, a stray cat he dearly loved. With the help of Belzerok, a conversational AI, he attempts to summon Nekphoros, the legendary great demon of cats. However, his devout Catholic grandmother, Gyeongja, who lives with him, keeps interfering with the summoning ritual.
While trying to terminate a pregnancy, a young woman is confronted with her first real adult experience.
Chaos unfolds as Wyatt, a stoic ex-pot dealer, is forced to shelter with Henry, Hollywoods next idol, and Josh, the sketchy pizza delivery guy, in the wake of the zombie apocalypse.
Affected by the powerful images in the pamphlet Om kriget kommer (If war comes), farmhand Karl-Göran Persson begins fortifying his house. Through years of harvesting scrap-metal, he transforms the house into a fortress, meant to protect him and his neighbors when the enemy attacks. As the task progresses, reality and the threat of future destruction become intertwined, and construction becomes an obsession for the lonely Karl-Göran.
Through the medium of an intimate video diary, Mariana Macháňová captures her family’s grief as her mother passes away. For the director, the camera becomes a tool for both therapy and detachment. She records her wanderings through sterile hospital corridors, taking perhaps her last selfie with her mother at her hospital bedside, and the scattering of her ashes. Coming to terms with the loss also gives rise to reflections on the ethics of such filming. The filmmaker asks herself whether it is acceptable to enter moments of greatest vulnerability with a camera, if the act of filming itself helps to transform fleeting fragments into something lasting and thus to process the mourning. “So I decided I’d heal myself with a film”
In a small village, old woman Ayimkhan, backbone of her family, lives with her son, Samat; his wife, Gulzhan; and their 8-year-old daughter, Umit. Ayimkhan supports the family through her pension, labor, and devoted care. However, Gulzhan, who has grown tired of rural life, wants to move to the city; one day she finally leaves home. The burden of housework and caring for her granddaughter falls on Ayimkhan's shoulders alone. Daily life flows quietly, apparently unchanged, yet within it, the family is falling apart.