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A mutilating knife-killer haunts the small Southwest-desert town of Mescal. Though most victims have been prostitutes, the first was none other than Travis Mescal, the only son of the town's first family. When the Sheriff proves unable to solve the case, the town leaders invite Investigator Burns to unravel the mystery.
Insurance Investigator Roy is looking for Weston and the missing money he supposedly obtained in a robbery. When he catches him and listens to his story, he changes his mind about him. A freak accident locates the missing money box and they find the seal unbroken. Roy then announces the box will be opened at the showboat that evening.
Craig Larrigan's father and his partner own a large cattle ranch that is losing stock to rustlers. Craig, an easterner, heads west but in the disguise of a Mexican bandit. He is eventually thrown in jail with his identity still unknown. His cellmate is one of the rustlers and when they break out, the rustler takes him to the gang and Craig now has a chance to capture them all.
A bunch of old guys form a posse.
Adapted from prolific western novelist Dusty Richard’s “Mustanger and the Lady,” 'Painted Woman' is the story of Julie Richards Julie is a woman of her time, passed from hand to hand in a web of abuse and prostitution, landing her at the feet of Kyle Allison. Allison, a wealthy powerbroker of the old west town of Goldfield, took young Julie into his home and made her his trophy. This life came with the gift of being taken care of and the cost of more abuse. As Julie’s time with Allison is coming to a dangerous close, Julie is given two chances of escape, with two very different men… The story of PAINTED WOMAN is two distinct chapters in Julie's life, with each chapter mirroring the other. Chapter one follows Julie meeting Frank. It is told mostly at night in the town of Goldfield. Chapter two follows the Mustanger. It takes place in the wilderness and is told mostly during the day.
The fourth of 12 singing Westerns starring the "Silvery-Voiced Baritone," Fred Scott, Melody of the Plains begins peacefully enough with Scott, as cowboy Steve Condon, warbling Don Swander and June Hershey's "Albuquerque." The story quickly takes a rather grim turn when one of Steve's colleagues is shot and killed after selling out to a gang of rustlers. Mistakenly believing he fired the deadly shot, a dejected Steve, along with sidekick Fuzzy, goes to work for Bud's father, a rancher nearly forced into bankruptcy by a crooked land developer.
The stooges go out west for Shemp's health. The boys soon run afoul of a local villain who is forcing pretty Nell to marry him. The bad guy has Nell's sisters locked up, and its up to the stooges to rescue them and save the day.
Texas Ranger Johnny, poses as a hired gunman called The Dog Town Kid in order to infiltrate the outlaw gang, to uncover a plot by a crooked lawman, Sheriff Bradley, and a large landholder, Jim Morgan against the smaller ranches and the homesteaders.
The fifth film in the 24-film Range Busters series finds "Crash", "Dusty" and Alibi, on their way to Gopher City to become the town's peace officers. In the saloon, young Jimmy Rowell is losing money in a crooked poker game to saloon owner Bob Harmon. Harmon and his henchman Bart Gill are in reality wanted-outlaw brothers Jim and Ike Breedon seeking revenge against Jimmy and his school-teaching sister Sally as their father, a circuit judge in Nebraska, had sentenced their brother Bud to be hanged. Harmon involves Jimmy, because of his gambling debts, in a robbery of a rancher known to keep large amounts of money at his ranch. The Range Busters break up the robbery, Bart is killed, as is Rancher Fleming, and Jimmy is wounded but escapes. Harmon, setting a trap for Crash, tricks Sally and Jimmy to his hideout, and Crash follows them.
Love and logging in the Cascade Mountains of Oregon.
In this western, the hero fights the bad guys by impersonating the son of a rancher. The outlaws have been making the good landowners pay fake taxes. Not only does the good guy succeed in catching the bad guys, he also catches himself the postmistress.
A spaghetti Western that follows the perilous search by two treasure hunters and the bandits trailing them for gold buried near the Mexican border.
Exciting late-silent 10-episode serial, with all the hallmarks of the genre, including daring cavalry rescues, gold robbers and, of course, the beautiful white girl being burned at the stake by indians. Later re-edited into a feature-length film of the same name.
The coming of the railroad to the West triggers an Indian war.
In the New Spain era, a tyrant ruling the San Fernando Valley attempts to wrestle a blacksmith’s daughter from the arms of her Irish sailor fiancé.
Molly Killbride, daughter of the inspector in the Royal Mounties, is in love with trooper Jimmy Hearn, but her father prefers that she marry Harry Morgan, a wealthy young civilian. Morgan, however, is allied with a gang of outlaws headed by Hanley, and when Morgan taunts Jimmy into a fistfight the gang causes him to be railroaded to prison for felonious assault.
It's "The Three Mesquiteers" again. Gaucho escapes from Braden's gang only to be shot by them. The Mesquiteers drive away the outlaws and take his money on to his mother. But Isabella thinks Tucson is her long lost son and they don't have the heart to tell her he is dead.
An old cowboy trains a man from another country to be a cowboy in order to stop a group of outlaws from attacking ranchers and starting a war with Apache Indians.
Crimea. The middle of the 19th century. A proud and brave jigit Alim Aidamak who cannot put up with the workers’ abuse, works at the leather factory of the greedy Ali-bay. One day he responds in kind. He is fired, but he takes the memories of the beautiful daughter of his ex-master, Sara, with him. Young people went their separate ways. Alim takes the revolutionary path; he and his friends go to the mountains and start an underground struggle. Only his name is enough to terrify landlords, Mirzas and civil servants. Authorities send a Cossack detachment to catch the Crimean Tatar Robin Hood. The adventure film, which reminds an American western, was filmed based on a Crimean Tatar legend, which in 1925 was turned into a play by the repressed Crimean Tatar writer Ipchi Ümer. The shooting of the film under the script of the Ukrainian avant-garde poet Mykola Bazhan began in the autumn of 1925, when the indigenisation policy in the national republics caused demand on the national plots.