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Judge Cristina Pereyra adjudicates the most controversial cases and disputes.
Tale Gate is Critical Role's LIVE talkback show hosted by Whitney Moore. Join the cast after each table arc as they sit down and spill the tea on all things Campaign 4. The soiree continues with The Night Cap — a Beacon exclusive segment where they answer your questions from Discord chat.
A healing program where celebrities will present their own music and homemade dishes at a live bar next to the mysterious and beautiful sea. The variety show revolves around three key words: sea, bar, and wish. The guests who visit will be able to get out of their daily lives and spend a special day with the cool ocean, music, and delicious food. Actress Lee Ji Ah will be heading the cast as the main chef of the seaside bar, while Lee Dong Wook will serve as the main bartender. Actress Kim Go Eun will demonstrate her love for the ocean as a lifeguard and server, while Yoon Jong Shin and Suhyun will handle the music. Last but not least, SHINee's leader Onew will handle desserts as the baker of the team.
The 'Blind Date Cafe', operated by the MCs/cast members Lee Juk, Yoo In Na, and Yang Se Hyung, will be a cafe specializing in blind date meetings. The cast members will observe various non-celebrities undergo blind dates, while serving and operating the cafe.
Dive deeper into the world of The Vampire Lestat with this new series that takes fans behind the scenes of each episode with members of the cast and creative team. Hosted by writer and podcaster Lizzie Bassett.
Countdown was a long-running popular weekly Australian music television show broadcast by the Australian Broadcasting Corporation from 8 November 1974 until 19 July 1987. It was created by Executive Producer Michael Shrimpton, producer/director Robbie Weekes and record producer and music journalist Ian "Molly" Meldrum. Countdown was produced at the studios of the ABC in the Melbourne suburb of Ripponlea. Countdown was the most popular music program in Australian TV history. It was broadcast nationwide on Australia's government-owned broadcaster, the ABC and commanded a huge and loyal audience. It soon exerted a strong influence on radio programmers because of its audience and the amount of Australian content it featured. For most of the time it was on air, it also gained double exposure throughout the country by screening a new episode each Sunday evening, and then repeating it the following Saturday evening. The majority of performances on the show were lip synched.
