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Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.
Four days without sleep, jumping into Morpheus World is her only chance.
A Yorkshire coal mine is threatened with closure and the only hope is for the men to enter their Grimley Colliery Brass Band into a national competition. They believe they have no hope until Gloria appears carrying her Flugelhorn. At first mocked for being a woman, she soon becomes the only chance for the band to win.
Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.
With Trouble, choreographer Laura Bachman, dancer Marion Barbeau, and actor Félix Kysyl explore the boundaries of touch and male-female relationships, between violence and emancipation. Trouble, Laura Bachman's first choreographic film, explores with great intensity all the paradoxes of physical contact. In this hybrid work inspired by the show Ne Me Touchez Pas, the body is not only an instrument of movement, but a battlefield, a space where domination, resistance, and then rebirth are played out. At the heart of this film is a duo formed by Marion Barbeau, prima ballerina at the Paris Opera and actress revealed by Cédric Klapisch's En Corps, and Félix Kysyl, actor nominated for a César Award in 2025 in the category of Best Male Newcomer for Miséricorde. These two protagonists give substance to a literally visceral performance, where skin, gazes, and breath invade everything.
This wickedly funny songstress (Falsettos, Mystery of Edwin Drood, Boy from Oz) will blow you away with her powerhouse vocals and hilarious take on her career, including Tony Award nominations and her time in green as Elphaba in Wicked.
At the 1893 Chicago World's Fair, sideshow barker Florenz Ziegfeld turns the tables on his more-successful neighbor Billings, and also steals his girlfriend. This pattern repeats throughout their lives, as Ziegfeld makes and loses many fortunes putting on ever-bigger, more spectacular shows
The Grimm brothers Wilhelm and Jacob, known for their literary works in the nineteenth century, have their lives dramatized. Wilhelm fights to write something entertaining amongst the sea of dry, non-fiction books they write and he sets about collecting oral-tradition fairy tales to put into print. Their life story is countered with reenactments of three of their stories including "The Dancing Princess," "The Cobbler and the Elves" and "The Singing Bone."
A dream has come true for Yuja Wang: for the first time, she is more than “just” the star soloist—from the piano, she conducts the Mahler Chamber Orchestra in the Golden Hall of the Vienna Musikverein. In George Gershwin's popular and jazzy Rhapsody in Blue, she shines alongside solo clarinetist Jaan Bossier.
A happy and unbelievably lucky young Irish immigrant, John Lawless, lands a job as the butler of an unconventional millionaire, Biddle. His daughter, Cordelia Drexel Biddle, tires of the unusual antics of her father--especially since the nice young men around town all fear him. Wouldn't you fear a father-in-law that keeps alligators for pets and teaches boxing at his daily Bible classes?
Carly discovers her boyfriend Steven Carson has been cheating on her with Tori Vega, so the gang flies out to Los Angeles where they meet Tori and the gang from Hollywood Arts. They attend a party hosted by Kenan Thompson where Carly and Tori realize Steven was dating them both and therefore cheating on them at the same time, so they plot payback on him.
On November 24, 1996, Crowded House performed their last ever concert to a crowd of more than 120,000 people on the steps of the Sydney Opera House.
An extraordinary live performance of Hans Zimmer's most beloved and renowned movie soundtracks, including music from Dune, Gladiator, Interstellar, and The Lion King. Featuring conversations with creative collaborators Billie Eilish, Christopher Nolan, Denis Villeneuve, Finneas, Jerry Bruckheimer, Pharrell Williams, Timothée Chalamet, Zendaya, and more.
An aesthetic experience that translates the intimate and poetic sound of the album Esquinas into images. With graphic and photographic elements, the visual proposal mixes the urban and the poetic, reflecting the themes of encounters and disagreements present in the songs.
Wagner’s sixth opera, “Lohengrin,” tells the medieval legend of the Knight of the Swan: the knight Lohengrin is sent to protect Duchess Elsa of Brabant, who has been unjustly accused of murder. Johannes Erath directs the production, and Joana Mallwitz conducts the orchestra. Piotr Beczała plays the title role. Rachel Willis-Sørensen plays Elsa of Brabant.