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When Paolo dies, Davy sets out with him on a journey to the beach to finish a song they left unfinished.
Ten years after Vlada Divljan's death, the family opens boxes with his belongings. Among other things, they find recordings made with a small camera. Vlada's footage of family life, as well as making music in his room or with a band, along with homemade animated adventures on a deserted island, take us deep into the intimate world of our famous musician.
Leo, Francisca and Lara have just finished high school. Faced with an uncertain future, they spend their last summer together cycling through the streets of Córdoba while searching for a lost cassette of their favorite rock band.
The Queen of Christmas returns with a blast of holiday cheer in this special. Mariah performs her enchanting original song "Fall in Love at Christmas" with Khalid and Kirk Franklin, chats with Apple Music's Zane Lowe, and signs off with a festive classic.
"Uno" ("One") enjoys his loneliness, but when he falls in love with "Una" ("She") and loses her, he realizes he needs her and tries to get her back.
Golnar lives with her grandparents. One day she goes to the fountain to fetch water. The wind carries away her blue handkerchief. Golnar follows it into the forest and loses her way...
-- Passion - José and Carmen -- Based on motifs in Mérimée's original work "Carmen," Don José is destined to be at the mercy of Carmen. His attraction to her passion is portrayed in this musical work. -- Apasionado!! III -- Apasionado in Spanish means "hot" or "the passion of man." To the theme of "heat," its various forms are incorporated into this revue, such as in hot rhythms, heated emotions, burning love, and the flames of jealousy. People will gamble their lives in the name of passion. It was performed by Moon Troupe in 2008, led by Sena Jun and in 2009 by Oozora Yuuhi of Cosmos Troupe. A staged piece overflowing with adult atmosphere, a brush-up will be delivered.
In modern-day New York City, John the Baptist calls out to a group of young men and women to learn from the teachings of Jesus. Through song and dance, they relive Christ's crucifixion.
The Troubadour sits at a rock beside his summerhouse Sjösala in the Stockholm archipelago. He is composing a new ballad, when his son Sven Bertil interrupts him, telling him that an angry man is knocking at their door. It is the creditor Andersson, coming with a new unpaid bill to be put on the top of all the other. The Troubadour is tired of all economical problems. It disturbs the peace he needs to be able to write new songs, and without new songs he cannot earn the money he needs to pay the bills. To get peace and inspiration for his writing, he makes a quick decision to go to Buenos Aires. By phone he persuades his publisher to prepay 7000 kronor for some future book. On the little ferry from the islands in the sea to Stockholm city the Troubadour is carried away by his imagination into the fictitious world of his main character Fritiof Andersson. Colorful scenes from various songs are enacted before his dreaming eyes. In Stockholm he spends the night at the inn Gyldene Freden. ...
In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.
An average dinner at Lily's house turns tragic, leaving her alone in her grief--until she erupts in a song and dance that threatens everything her parents believe to be true.
Vulfpeck return to play Madison Square Garden after a six year break - sold out.
A porteño tango singer is kidnapped by a UFO and taken to Madrid, London and Paris.
A musical film directed by Geoffrey Benstead
The film tells the rags-to-riches story of a young street performer from the slums of Chennai.
Personal interviews with Haftbefehl and those closest to him reveal the story behind the German rap icon as he takes a brutally honest look at his life.
Piero Cappuccilli and Shirley Verrett lead Verdi’s sombre masterpiece, drawn from one of Shakespeare’s most celebrated tragedies. Filmed for television at Teatro alla Scala in 1979, Claudio Abbado conductes a night to remember.
How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.
Two down-on-their-luck loafers take a job babysitting, with a bedtime story of the titular tale turning into a wacky Abbott and Costello-faced musical retelling involving stolen cows, terrible giants, and the heroic boy with an opportunistic butcher in a castle above the clouds.