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The extraordinary life of Sergiu Celibidache, from his childhood in Romania to his exile in pursuit of a career in music, his struggle for survival in wartime Germany and his rise, fall and rise again, in an unimaginable life journey.
An eccentric lottery winner who lives alone on a remote island tries to make his fantasies come true by getting his favourite musicians to perform at his home.
The Spanish fly is the name of a varieté artist who for some 24 years ago had a son. Now the son pops up looking for his dad.
Performed at the Théâtre Graslin in Nantes in 2013. Francis Poulenc (1899-1963): Dialogues des Carmélites, opera in 3 acts and 12 scenes from a libretto by Emmet Lavery.
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.
300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.
The same year Shaw’s Malay Film Productions released P. Ramlee’s Penarek Becha, they also produced this melodrama centred around another humble trishaw driver. Like Ramlee’s film it was co-written by young literary upstart Jamil Sulong (who later became a director). Similar issues around class, wealth and modernity are explored through the tale of a kindly older trishaw driver (Omar Rojik) who adopts Jamilah, an orphan and marries her guardian, offering her a simple but better life (including a very, very long visit the circus). As the years pass Jamilah pulls away from her impoverished kampong life towards a world of motor cars and monied families, while kind Omar’s health is failing. A classic slice of social-realist melodrama.
With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
A production of Strauss' opera 'Der Rosenkavalier' performed at the Saltzburg Festival in 1984. Includes the Vienna State Opera Choir, the Philharmonic Orchestra with singers Wilma Lipp, Anna Tomowa-Sintow and Agnes Baltsa. Conducted by Herbert Von Karaja
A watchman with a sensitive heart, Fernand falls in love with Violette and Pervenche, two of the daughters of his boss, Maître Arno. At a bullfight starring three attractive Spaniards, the girls and their sister Marguerite - with whom Fernand's companion Rémy is in love - compete in charm, to the despair of both suitors. Followed by Marina, a pretty girl who seems to take a keen interest in Fernand, the two friends decide to retire to Les Martigues, far from their belles. But soon annoyed by Marina's insistence, Fernand returns to Maître Arno's manade, while Rémy decides to become a bullfighter to win back Marguerite.
At first glance, Hofmannsthal's libretto ARABELLA is a comedy of mistaken identity which, had it been composed by Rossini, could have been a snappy buffo opera. But the music of Richard Strauss, who pulls out all the stops of his orchestral art, from the late romantic intoxication to the most modern discord, creates a subtle, colorful panorama of a society in transition, whose late-bourgeois values are crumbling. One's own identity and interpersonal relationships have to be tested from scratch. Central is – even more than the title character, who oscillates between romance and rebellion – Arabella's younger sister Zdenka, who, disguised as a man by her parents for lack of money for girls' clothes befitting their status, has to struggle all the more desperately with her/his role as an outsider.
Operetta concerning the love affair of Niccolò Paganini, the violinist, and Élisa Bonaparte, the younger sister of Napoleon.
When Gräfin Mariza visits her country estate it is certainly an event. She gives a party to celebrate her engagement to a certain Koloman Zsupan, who unexpectedly shows up. Her authoritarian ways collide with Török, her manager. Based on Emerich Kálmán operetta.
Documentary about the composer Elizabeth Maconchy, filmed during the rehearsal of a new composition
A singer is kidnapped by a rancher and her boyfriend comes to rescue her.
Show dancer Claire finds herself in the New York hotel-suite with Stoddard Clayton, saying goodbye to him before her impending marriage the following day. When she returns to the hotel with her husband the following night, the house detective accuses her of prostitution and throws them out. Now Claire must explain everything to her unsympathetic husband.