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Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.
The worldwide streaming event brought to life by 75 artists and crew members, a show that became the biggest concert event in the band's 19-year-long history.
The musical was written by Richard Cocciante in co-authority with Elisabeth Anais on the famous book by Antoine de Saint-Exupery. This book of amazing humanity, written by the French author, is translated into 200 languages and dialects all over the world and is being sold annually in quantities of 1 million copies. The premiere of the musical was held in Paris in October 1, 2002. Ambitious project was carried out by the first-class artistic team, expects their performance to be able to win no less glory than the famous «Notre Dame de Paris». The pilot was played by Daniel Lavoie (Daniel was playing this role since October 2002 until April 2003 at the Casino de Paris). For the role of Little Prince producers invited 13-year-old debutant from Lyon
The film tells the story of three young people, each of whom sets out from Bandar Abbas to Tehran to achieve a goal.
A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)
A vivid dream exploration of Moira Shearer's heart and mind, just before and after she agreed to star in Powell and Pressburger's beloved cinema classic "The Red Shoes", a decision that would change her life forever. Celebrating the original film but also shining a light on the uncanny parallels between Moira Shearer and her tragic alter ego Victoria Page. Revealing a complex and defiant young woman who ultimately chose life over fame.
Children play grown-ups and the Sun and clouds have roles as actors.
A metaphorical tale about the creation of humankind.
Albie Thoms' Marinetti was the culmination of the synthetic environments that the UBU group had pioneered in Australia; festive public 'happenings' that combined the energy and volume of creative rock and jazz with the mesmeric effect of multi-dimensional lightshows. Another kind of culmination: Marinetti records most of the principal collaborators in the UBU film group, like Aggy Read and the Perrys. Uniquely valuable as a document of Australia's late 1960s counter-culture, the soundtrack provides the best indication of the unrestrained liberty that bands like Tully and the John Sangster Underground band some of whose members perform on this recording were famously achieving in their improvisations of the period.
A young man asks a hat check girl to pose as his fiancée in order to make his dying father's last moments happy. However, the old man's health takes a turn for the better and now his son doesn't know how to break the news that he's engaged to someone else, especially since his father is so taken with the impostor.
This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.
The top stars from the original London and Broadway productions join together with a 150-voice chorus and the Royal Philharmonic Orchestra in London's venerated Royal Albert Hall for a truly magical gala performance of Les Misérables. You'll watch and listen time and again to the magnificent Tony Award-winning score as sung by stars forever linked to these roles.
Successful nightclub singer has difficulties with her love life.
Momoko's teacher asks the third grade to draw a picture based on their favorite song, to enter in a contest. She picks a song she's recently become fond of during music class, and is anxious to make a good drawing based on it. On her way to meet relatives in Shizuoka, Momoko meets Shoko Kimura, a university student who occasionally draws portraits and plans to participate in an art contest. Momoko and Shoko become close friends, and end up inspiring each other both in their own ways.
Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
Depicts Inuit creation stories in all their glory. Arctic Song tells stories of how the land, sea and sky came to be in beautifully rendered animation. Telling traditional Inuit tales from the Iglulik region of Nunavut through song, the film revitalizes ancient knowledge and shares it with future generations.
The Molotovs kick things off in style with “Rebel Rebel,” followed by magical covers of “Heroes” (The Horrors), ‘Fascination’ (La Roux), “Let's Dance” (Jeanne Added), “Rock'n'Roll Suicide” (The Libertines), “Sound and Vision” (Anna Calvi), “Starman” (The Divine Comedy), and “The Man Who Sold the World” (Yasmine Hamdan): eight intense reinterpretations of David Bowie's work, delivered during an arty and decidedly London-esque stroll, which, from stage to studio, recreates the fragile intensity of a live performance.
Joselito is a child whose mother left town when he was just a baby and whose father has died. He lives with his grandfather, the bellringer of the town, and his best friend is the sexton. He enjoys singing and has not lost hope of someday meeting her mother.
The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft
Iconic songstress Barbra Streisand culminates her 13-city tour in Miami with dazzling ballads, Broadway standards and stories from behind the scenes.