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The lead singer of an oldies group reminisces about the good ol' days and a potential comeback.
Luigi, Jerry, and Mike are in boot camp when they are presented with a chance to represent their unit in competition on a national television show. The three guys are up to the challenge, which begins a chain of unusual circumstances that not only have them singing and dancing at the proper times, but also running into a trio of alluring young women.
A feature-length documentary on the life and work of jazz musician and composer Krzysztof Komeda.
Set 1: Cassidy(Bob Weir song) Brown-Eyed Women(Grateful Dead cover) I Need a Miracle(Grateful Dead cover) Here Comes Sunshine(Grateful Dead cover) Tennessee Jed(Grateful Dead cover) China Doll(Grateful Dead cover) Viola Lee Blues(Cannon’s Jug Stompers cover) The Music Never Stopped(Grateful Dead cover) Set 2: New Speedway Boogie(Grateful Dead cover) Dark Star(Grateful Dead cover) (verse 1) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> Jam (theme mashing up… more ) Black Peter(Grateful Dead cover) Casey Jones(Grateful Dead cover) One More Saturday Night(Bob Weir song)
Metallica at Plovdiv Stadium, Plovdiv, Bulgaria The Ecstasy of Gold Breadfan Master of Puppets The Thing That Should Not Be Fuel The Memory Remains Bleeding Me The Four Horsemen For Whom the Bell Tolls King Nothing Wherever I May Roam One Fight Fire With Fire Nothing Else Matters Sad but True Creeping Death Die, Die My Darling Enter Sandman Battery
This was the band's second performance at the music festival and their first since the success of 'Nevermind' had elevated them to the position of what magazines called the "biggest" rock band in the world. It was also sadly their final concert in the United Kingdom.
As foreman of a dude ranch, Gene has two problems. One is a guest, the spoiled daughter of a millioniare, and the other is the disgruntled ex-foreman that Gene replaced, now just a ranch hand. Gene eventually gets the daughter straightened out but has to fire the ex-foreman and this leads to trouble when he returns intent on revenge.
Red, Chloe and Bridget got their hands on the Sorcerer’s Cookbook, but things take a wicked turn when Uliana shows up as they sing, dance and cook up some “Wickedly Sweet” tricks and treats... but they aren’t the only ones up to mischief.
Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
Om Koultoum stars in this musical-drama as Fatmah, Nurse to a Pasha who falls in love with his younger brother and marries him in secret. But soon their relationship deteriorates and her husband refuses to recognize the child she expects from him.
In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.
The oddly-assorted Hart cousins: revue singer Blossom, con man Harry, and machinist Chiquita (who gets radio through her teeth!), inherit southern plantation Magnolia Manor, which alas proves to be a "termite trap" and tax liability. Fortunately, Sgt. Rocky Fulton from a nearby army camp appears with a plan to convert the place to a hotel for army wives; but to pay bills until then, they decide to put on a show. Of course, romantic and military complications intervene...
This short showcases composers and lyricists of songs that are now considered standards of American popular music. For several of these song writers, this is their only known appearance in a theatrically released film.
Roadrunner United was a project organized by the heavy metal record label Roadrunner Records to celebrate its 25th anniversary. It culminated in an album released worldwide on October 11, 2005, entitled The All-Star Sessions. Four "team captains" were chosen to lead 57 artists from 45 past and present Roadrunner bands, and produce and oversee the album's 18 tracks: Joey Jordison of Slipknot and Murderdolls; Matt Heafy of Trivium; Dino Cazares of Fear Factory, Asesino and Divine Heresy and formerly of Brujeria; and Robert Flynn of Machine Head and formerly of Vio-lence and Forbidden. The unprecedented project was the brainchild of Roadrunner UK General Manager Mark Palmer and Roadrunner USA VP of A&R Monte Conner.
Pakistani version of the popular Urdu novel about a tawaif and poet from 19th-century Lucknow.
A man dies and in heaven receives the mission of helping his former boss love life.