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TV adaptation of the hungarian theatre musical of the same title. 6 strangers arrive at a group therapy hoping to fix their problems. Since the therapist is late, they engage in a discussion that soon reveals none of them is who they seem.
Rock star Billy Jackson is found dead with a bullet in his head, a death classified as suicide. His brother Tom leaves the United States to come to Paris to investigate Billy's former relatives.
When a romantic gesture towards a bartender backfires, Lali unexpectedly finds herself offered a pity date by another bartender, Ana. What starts as an awkward encounter turns into a genuine connection as they bond over shared experiences as women of color. As they grow closer, Lali finds herself falling for Ana. But when the conversation takes an unexpected turn, Lali must confront her prejudices towards Ana and... herself.
As Fraulein Leander prepares for opening night, her life is thrown into turmoil by a variety of romantic misadventures. But she manages to show up on stage at the appointed time, scoring a huge success.
Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.
Members of the Hall Johnson Choir play members of a church congregation in the deep South in 1936. THey hold an open-air tent-and-camp meeting in order to raise the funds needed to send the church pastor, played by Clinton Rosemond, to a church conference in Birmingham, Alabama.
Kalu and Tuila are two South Pacific islanders who are getting married. Invited to their wedding are several tourists who have recently arrived aboard a yacht. During the wedding Kalu sings a "Forbidden Melody", which is a song that a young man sings only once in his life, on the day of his wedding. However, he is enticed by Peggy, a nightclub performer who arrived on the yacht, into an illicit affair, eventually leaving with the tourists when their yacht departs. One of the other tourists is a nightclub owner, who offers Kalu a job back in the states.
A masterpiece of bel canto at the Teatro Real in Madrid: conductor José Miguel Pérez-Sierra and director David McVicar take on Donizetti’s Maria Stuarda, with Lisette Oropesa in the title role.
In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.
A frizzy-haired, pink-cheeked outcast named Spork navigates her way through the annals of junior high.
Choreographer August Bournonville's stirring movements are brilliantly showcased in this Royal Danish Ballet version of one of his finest works, inspired by a visit to vibrant Naples, Italy. The fairy-tale story follows passionate young fisherman Gennaro (Arne Villumsen), who searches for his beloved Teresina (Linda Hindberg) when she disappears during a storm. Vivid set designs and bright costumes add to the production's exuberance.
From the Donizetti Theater, an opera inspired by Raffaella Carrà. Music by Lamberto Curtoni, libretto by Renata Ciaravino and Alberto Mattioli, based on an idea by Francesco Micheli, director. Conductor Carlo Boccadoro.
A group of desperate musicians must complete favors for prospective band members in order to win a coveted music competition.
Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.