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Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.
The story of the Paraguayan rock group Revolber and the concert they gave in the La Chacarita neighborhood of the city of Asunción on a spring day in 2011.
Conducted by Aziz Shokhakimov, the Orchestre Philharmonique de Strasbourg presents a rare work by Camille Saint-Saëns: the Oratorio de Noël. Composed in 1858 when the composer was just 23 years old, this cantata-like work is rarely performed on stage, making its performance quite unprecedented.
Shortly after his separation, César forms a rock band with his teenage sons. Soon enough, the family project will reveal itself unsustainable. "Family Album" is a coming of age film comedy about the difficult bond between parents and children and the world of amateur rock bands.
A kid who wants to enter his car in the drag races joins a rock band to make enough money to do it.
This short film by the artist 'Waiting for Smith' forms an audiovisual triptych in which the video clips of 'Nature's Mind', 'White Light of Love' and 'Let Light In' are told in a continuous story.
A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
Theatron, the film by the multi-award-winning film-maker Giulio Boato, is an unprecedented portrait of Romeo Castellucci. Castellucci and his theatre company, the Socìetas Raffaello Sanzio, are key protagonists of avantgarde theatre. To a Vivaldi soundtrack, Theatron layers Romeo and Claudia Castellucci’s comments with the testimonies of dramaturgs, composers, choreographers, critics and actors (including Willem Dafoe) who have collaborated with the director. Between rehearsals and international tours, the film is a deep reflection not just on the performances, but also on the connection between the author and the representation of human nature.
Country bumpkin Haruko only ever wanted to become a maiko, an apprentice geisha. Initially rebuffed for lack of references, Haruko's strong accent intrigues a linguistics professor, who undertakes to coach her.
A poor otter family risks everything for the chance to win the cash prize of a talent contest for Christmas.
"Gambämark" is a musical produced and performed by the Finnish-Swedish humor group KAJ in co-operation with Wasa Teater. Originally premiering on stage at the Ritz Hotel in Vaasa in the autumn of 2018, it premiered on TV for the wide public on 1.3.2019. "Gambämark" is about a small town in Finnish Ostrobothnia, which decides to isolate itself from the outer world and builds a large wall around its borders. The people of the town enjoy life as it used to be - but is everyone truly happy?
A tender romantic drama set in the serene hills of eastern Nepal. The film explores the quiet bond between Dharanidhar Kafle, a reserved young man from a traditional Brahmin family, and Phool, a spirited girl from the Gurung community.
The story traces a father’s quiet confrontation with loss, a computational physicist who has always believed the universe can be measured, predicted, and controlled—alongside his son, a boy who finds meaning at the piano, guided by freedom, feeling, and the beauty of impermanence.Through two opposing ways of seeing the world, science and art, precision and intuition. they move along parallel paths shaped by grief, resistance, and understanding.
John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).
Joan of Arc is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.
Reclining on her chaise lounge in a see-through robe, Lili St. Cyr decides she needs a bubble bath. In a gilded tub fit for Marie Antoinette, she bares all that the law will allow. Then she squeezes into an evening gown and mink coat to paint the town red.