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The original "Pontianak" was made in 1957 directed by B.N. Rao and starred Maria Menado.The film was such a hit that in quick succession, two sequels were made "Dendam Pontianak" aka "Revenge of Pontianak" later in the same year (1957) and "Sumpah Pontianak" aka "The Curse of Pontianak") in 1958,both with Maria Menado."Dendam Pontianak" started the trend of introducing more than one supernatural being into the story,the other character being an old witch Nenek Kebayan(The Old Woman of the Forest)and by the time "Sumpah Pontianak" was made that had increased to four-female vampire Pontianak,an Orang Hutan(Wild Forest Man),a kind of bird-lizard creature and a Hantu Raya or "King Ghost"."Sumpah Pontianak" is an entertaining Malay horror movie with cheap special effects.The main female character Comel is infected by been infected with sumpah pontianak,the curse of the vampire and the villagers begin to die!
Two-reel Vitaphone short from 1930
A seventeen-year-old girl with sun allergy lives a sheltered life. One night, she ventures out to play guitar, and she meets a guy she admires. As they develop a romance, she hides her condition from him, creating tension in their budding relationship.
A young singer turns his back on God and his father's church when tragedy strikes. He returns years later to find the once powerful congregation in disarray. With his childhood nemesis creating a "new vision" for the church, he is forced to deal with family turmoil, career suicide, and relationship issues that send him on a collision course with redemption or destruction
The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.
A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.
Formed in 1975 from the remnants of a British blues band and a California soft-rock duo, Fleetwood Mac evolved into one of the most successful pop-rock groups of the 1970s--a reputation no doubt cemented by their 1977 masterpiece RUMOURS. One of the bestselling albums of all time, RUMOURS' impeccable songwriting, lush vocal harmonies, and polished production stand as testament to the band's cohesive powers--a fact made even more remarkable by the romantic tensions roiling amongst its members at the time (Lindsey Buckingham and Stevie Nicks were ending their long-term romantic relationship; Christine and John McVie were getting a divorce). This episode of the CLASSIC ALBUMS series recounts the making of Fleetwood Mac's career-making opus through interviews, behind-the-scenes footage, and live performances of timeless gems such as "Don't Stop," "Dreams,""Go Your Own Way," "You Make Loving Fun," "The Chain," and more.
In 1964, when the New York Mets were regarded as little more than a punch line in major league baseball, the team moved into a brand new ballpark, Shea Stadium, which was to become their home for the next forty-four years. Shea Stadium was closed (in part to create more parking space for a new stadium, Citi Field), and on July 16 and 18, 2008, Billy Joel headlined the final concerts held at the stadium. Filmmaker Paul Crowder and a camera crew were on hand for Joel's shows, and the documentary THE LAST PLAY AT SHEA chronicles his historic two-night stand, as well as exploring Joel's career, his ties to working-class New York, and how his life and career paralleled the growth of suburban Long Island and the beloved ballpark.
A valet to a bankrupt millionaire plans to rebuild his boss's fortune by passing a scullery maid off as a high-society debutante.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
Shot in front of 200 audience members, this show features interviews with members of the band on their professional interests outside their music careers in this holiday special.
Malangi is a 1965 Pakistani biographical and musical film directed by Rashid Akhtar and produced by Chaudhry Mohammad Aslam. The cast included Akmal, Shirin, Yousuf Khan and Talish. This was a 'Golden Jubilee' film of 1965 and had super-hit film songs by the music director Master Abdullah.
Two rival gangs, one lead by Taiko Raja(S.Gana) and another lead by Ah Meng (Echo Quah), are always at odds with each other. One day, an incident occurs in the village where Sulaiman (Ropie) is the respected leader of the local community. Sulaiman finds out about it and brings Raja and Ah Meng together. There on, they become good friends until there is a conflict due to developers, land issues, and the tricks of their gang members. Sulaiman proposes a non violent solution to Raja and Ah Meng, this is when hilarity ensues.
This double-disc package by Lindsey Buckingham, guitarist, songwriter, producer, and principal musical architect of Fleetwood Mac's multi-platinum-selling sound, contains a live DVD of concert performances with a bonus documentary, plus a CD that includes all but one of the performances on the DVD. The material ranges from tunes on his last solo album, the brilliant Under the Skin, as well as Fleetwood Mac nuggets, and a choice track or two from his other solo offerings. His band features second guitarist Neale Heywood, drummer Takuya "Taku" Hirano, and bassist/keyboardist Brett Tuggle. Lindsay Vannoy plays additional keyboards on some cuts.
Princess is destined to marry the Emperor, until her sister steps in.
A studio performance of the ballet Les Sylphides by Michel Fokine, first broadcast on 3 April 1953 and starring Alicia Markova, John Field, Violetta Elvin and Svetlana Beriosova.
Inspired by large-scale film music, Christopher von Deylen (SCHILLER) develops his own epic orchestral sound on “EPIC”. For this he combines his atmospheric sound worlds with emotional orchestral arrangements to a gigantic head cinema soundtrack.