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Urdu film starring Nadeem
Mahaleos voices and music have accompanied the people of Madagascar ever since the collapse of the colonial regime. Yet, even after 30 years of success, the groups seven musicians still keep their distance from the world of show-business, and remain deeply committed to helping their countrys development; their professions range from surgeon to farmer, physician to sociologist and member of parliament. Accompanied by the groups rhythmic melodies, the film follows the singers through their daily lives, giving us a glimpse of the far-reaching social and economic problems of the Malagasy people. The combined talents of the Brazilian, Cesar Paes, and the Malagasy, Raymond Rajaonarivelo, have produced a work that is both ethereal and concrete, poetic and political.
A TV program "One Million Star" was firstly aired in 2007. It claimed to be the biggest singing contest in Taiwanese TV history and promised the first-place winner a record contract and one million NT dollars (about 30,000 USD). The show caused an unanticipated sensation. Through this film, we will see how Taiwanese young people hang on to their dreams in a seemingly hopeless and desperate society.
1. The Quiet Place 2. Leeches 3. Pinball Map 4. Colony 5. Only for the Weak 6. System 7. Come Clarity 8. Scream 9. Cloud Connected 10. Take This Life 11. My Sweet Shadow
A family gathers around a bed to sing a lament to their own deaths, accompanied by a blackbird.
Concert-film about the work of Russian musician Viktor Tsoy.
Before Avicii, there was Tim. Through his own words, witness how a prodigious musical talent became one of the defining artists of his generation.
Country singers on their way to Nashville have car trouble, forcing them to stop at an old haunted mansion. Soon they realize that the house is not only haunted, but is also the headquarters of a ring of international spies after a top secret formula for rocket fuel.
The black magic powers of tantrik underworld. There are rumours floating in the whole city. A young beautiful girl is mercilessly killing young boys, trapping them into her charm. What is the truth behind this? Sundari had fallen for a rich man years ago and then she was burnt into flame. Now she is back to fulfil her dangerous mission in a new avatar and new body.
The first ever staging of Jörg Widmann's opera Babylon. Presented by the Bavarian State Opera in Munich, directed by Carlus Padrissa (La Fura dels Baus).
Released on DVD on Murotimate Breaks & Beats Vol. 2
A New Year's Eve musical program.
Somewhere in the sky, in a magical village called Teplikoku, the Dorfinis live and produce clouds. The evil Sand Queen threatens the Dorfinis that they must leave their village - or she will turn everything into sand! Dibble and Duval leave the village hoping to find a hero to save their home. On their journey they meet Yuval, and hope that he is the hero. Yuval is happy to help them, but doesn’t have a clue what to do.
The opera singer Maddalena had been cast out by her family after they learned she was to bear the child of a banker, von Keller, who had seduced and abandoned her. Her return to her native city has her father warn her to remain away, because she is a threat to her family, and her sister Marie's wedding. However, von Keller threatens the reputation of her family with an underhanded banking scheme. He commits suicide, and Maddalena is reconciled with her family.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
