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300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.
Documentary directed by Ramón Lluís Bande about the creative process Nacho Vegas makes about El Fulgor, song included in his second album "Cajas de música difíciles de parar" (2003).
After failing to make it on Broadway, April returns to her hometown and reluctantly begins training a misfit group of young dancers for a competition.
On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.
A stage show starring Lill Lindfors.
Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.
The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".
The classic family with more sisters and one brother who has to deal with all the naughty words about being the brother in law of many.
A young woman dreams of success but struggles to navigate the harsh realities of life. Following the cliché route to fame, she places unwavering faith in the universe to guide her. As her struggles intensify, the stress of failure and societal acceptance lead her to an unexpected realization that changes everything.
Dans l’œil des Enfoirés est le vingt-et-unième album des Enfoirés, enregistré lors de leurs sept concerts à l’Arena Montpellier du mercredi 26 janvier au lundi 31 janvier 2011.
Set in a dystopian Rio de Janeiro, where the urban reality consumes the mental health of those on the periphery. The plot follows a young man who did not choose conflict, but is forced to inhabit it. On screen, the protagonist manifests in simultaneous versions (child and adult), drawing on elements of nature and ancestry to re-enchant a dehumanized world. The visual construction leans into an aesthetic that oscillates between the hyper-realism of urban textures and the metaphorical distortion of a world in collapse, creating an experience that is simultaneously visceral and poetic. Although it visually engages with the urgent themes of our time, the aesthetic of armed conflict functions as a metaphor for the invisible battles each person faces within themselves. The final revelation reframes the entire journey: the war the protagonist moves through does not take place in the outside world, but inside his own mind.
In order to win the Street Dance Championships, a dance crew is forced to work with ballet dancers from the Royal Dance School in exchange for rehearsal space.
A bassist for a Los Angeles punk group must prevent a murder without leaving the stage when an aspiring serial killer crashes her band's biggest gig yet.
Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.
Princess Ida and Prince Hilarion were betrothed when the Prince was two years old and the Princess just one year old. Twenty years have now passed, and the time has come for Hilarion to claim his bride. The Princess, however, has other ideas. She has set up a women's-only University - and men are not allowed. Hilarion and his friends, Cyril and Florian, disguise themselves as women to gain entrance to the University. All goes well until Cyril's unmaidenly conduct compromises their disguise - and reveals the three friends as intruding men.
When Ruben, a young Chicano musician, is caught between his mother’s expectations and his own hopes, he is forced to make a decision that will change his life forever. Based on true events, “Con Esperanza” follows Ruben on his journey of pursuing his dreams, balancing both the traditional and financial expectations of his Mother.
A whimsical blend of live action and animation, "Saludos Amigos" is a colorful kaleidoscope of art, adventure and music set to a toe-tapping samba beat. From high Andes peaks and Argentina's pampas to the sights and sounds of Rio de Janeiro, your international traveling companions are none other than those famous funny friends, Donald Duck and Goofy. They keep things lively as Donald encounters a stubborn llama and "El Gaucho" Goofy tries on the cowboy way of life....South American-style.
Four talented alien musicians are kidnapped by a record producer who disguises them as humans. Shep, a space pilot in love with bass player Stella, follows them to Earth. Reprogrammed to forget their real identities and renamed The Crescendolls, the group quickly becomes a huge success playing soulless corporate pop. At a concert, Shep manages to free all the musicians except Stella, and the band sets out to rediscover who they really are — and to rescue Stella.
Elly, a former artist, and Dej', a troubled musician, find themselves locked in a fragile and tense dynamic as they navigate, or rather fail to navigate, the weight of Dej's addiction. On a cold night in the studio, the band find themselves in a familiar, but ever so painful, situation. Dej's constant intoxication and Elly's ongoing denial push bandmates to leave, cause songs to be abruptly cut short by drunken mishaps, and lead to empty promises being tossed around amid incomprehensible antics. Elly must decide whether taking a step forward, no matter who she might leave behind or how difficult that might actually be, is the right thing to do - if there even is, or ever has been, a 'right' thing to do for her. The internal struggle unfurls as Elly's night becomes one that could either mark a new beginning, or bring everything to an end.