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an exclusive behind the scenes mini documentary, filmed during the launch of Madonna’s 10th studio album, Confessions on a Dance Floor
Based on Oscar Wildes story The Birthday of the Infanta, Zemlinskys single-act opera Der Zwerg is the tragic tale of a dwarf who is presented at court, falls in love with the beautiful Donna Clara, but is ultimately forced to see himself as others see him and to die of a broken heart. Preceded by Schoenbergs Accompaniment to a Cinematographic Scene, Op. 34, Zemlinskys Romantic score is full of psychological intrigue. Is Der Zwerg a critique of societys superficiality? Is it the composers self-portrait in his doomed affair with Alma Schindler? Director Tobias Kratzers stunning, transparent production creates a space in which each character is thrown into sharp relief in this fine, noble and melancholy work.
After a career ending gymnastics injury forces her to retire, Iris struggles to adjust to a life without the sport that once defined her. When her dancer friend Margot asks Iris to help her learn skills at Iris’s old gym, she reluctantly agrees, but old emotions begin to resurface.
Three friends, two humans, one puppet, put on an educational children's show about underwater life. Later, the cast reflects on how the experience affected them.
Rain Dance is a four-minute animation produced by Hill while an undergraduate student at Harvard University from 1988-1992; the exact date of the production is currently unidentified. Although little known, the film is representative of both Hill’s do-it yourself approach – employing character cutouts, strong, yet playful colors, and a narrative and technical simplicity rich with charm – and her jovial demeanor and inquisitive approach to life. The film is dedicated to Elijah Aron, Hill’s boyfriend throughout college. Aron remained close friends with Helen and her husband Paul Gailiunas, and was the godfather of their son Francis.
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough exterior.
Stevie Van Zandt, known as New Jersey's most famous consigliere to Bruce Springsteen and Tony Soprano, takes center stage. Featuring a wealth of never-before-seen footage, this documentary traces Van Zandt's career as a producer, musician, songwriter, activist, actor, and more, from the clubs of Asbury Park, N.J. to arenas and stadiums, to the Bada Bing Club and the Underground Garage.
audiovisual experience by seafood diet
Gifted young rapper Nico Jones navigates ambition, identity, and the dangerous pull of his surroundings. Told across two timelines, the story begins in South Central Los Angeles, where Nico’s early creative promise is shaped by family loss, a fractured home life, and the looming influence of local street figures. Even as a child, Nico’s poetic voice sets him apart, though his environment constantly threatens to define him. Cut to the present day, and Nico is 20, still trapped in the projects, and chasing a breakthrough as a rapper. A single night changes his trajectory, blurring the line between artist and persona as others begin to shape his image for their own gain. When his music unexpectedly ignites attention, Nico is forced to confront who he’s becoming, and whether success is worth the cost.
A boy living on the streets falls in love with a wealthy girl and tries to win her heart.
The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.
Set at the 1958 Newport Jazz Festival, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational music to Gospel. It's a concert film that suggests peace and leisure, jazz at a particular time and place.
Jean-Marie Villegier's modern interpretation of Handel's "Rodelinda" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively.
The story of singer-songwriter Colin Hay, former front-man of Men At Work. We follow Hay from his earliest days in Scotland, through his family's emigration to Australia, to the massive, worldwide success of his band, to the depths of addiction and failure, to a slow climb back up the ladder seeking relevance, artistic freedom and ultimately, transcendence.
The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat.
With this new production by the Teatro de la Zarzuela, the Italian stage director Davide Livermore and the British musical director Karel Mark Chichon show us a series of pictures of customs that shine through in Luisa Fernanda.
An hypnotic musical with ghosts, young skaters, a "cumbiópera" in three acts and an epilogue. A ballet of visages, gazes, desire, love, drama, tragedy and shooting.
