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The Troubadour sits at a rock beside his summerhouse Sjösala in the Stockholm archipelago. He is composing a new ballad, when his son Sven Bertil interrupts him, telling him that an angry man is knocking at their door. It is the creditor Andersson, coming with a new unpaid bill to be put on the top of all the other. The Troubadour is tired of all economical problems. It disturbs the peace he needs to be able to write new songs, and without new songs he cannot earn the money he needs to pay the bills. To get peace and inspiration for his writing, he makes a quick decision to go to Buenos Aires. By phone he persuades his publisher to prepay 7000 kronor for some future book. On the little ferry from the islands in the sea to Stockholm city the Troubadour is carried away by his imagination into the fictitious world of his main character Fritiof Andersson. Colorful scenes from various songs are enacted before his dreaming eyes. In Stockholm he spends the night at the inn Gyldene Freden. ...
An adventurer travels by train through the Brazilian state of Minas Gerais, meeting old and new lovers and remembering love affairs of his youth.
Fresh off the heels of her brand-new album, "Happier Than Ever," this cinematic concert experience features an intimate performance of every song in the album's sequential order – for the first and only time – from the stage of the legendary Hollywood Bowl.
Lida Baburova, a tour guide of an architectural museum, unexpectedly receives a warrant for a two-room apartment in the new district of Zarechye, among the new settlers called "our Cheryomushki". Lida and her father go to inspect the apartment, but it turns out that it doesn't exist. The manager of the house, Barabashkin, conducted fictitious documentation, and the Baburovs' apartment merged with the neighboring one, owned by the head of the construction trust Drebednyov.
Four mistreated farm animals seek refuge as a band of traveling musicians in this musical tale narrated by Kermit the Frog.
Duke Ellington Orchestra performs "Mood Indigo" for Snader Telescriptions.
Commissioned by Arthur.
A journey of new life.
Dagmar Schellenberger, Nikolai Schukoff, Harald Serafin, and Mirjana Irosch star in this production of the Kalman operetta with Rudolf Bibl conducting the Festival Orchestra Moerbisch.
An hypnotic musical with ghosts, young skaters, a "cumbiópera" in three acts and an epilogue. A ballet of visages, gazes, desire, love, drama, tragedy and shooting.
This short film pays tribute to Rush, one of rock's most successful and popular bands of all-time.
A rising but troubled musician searches for the inspiration to record one last song, pushing himself deep into the void.
One of the most spectacular and renowned conductors of the 1930s, Wilhelm Furtwangler's reputation rivaled that of Toscanini's. After the war, he was investigated as part of the Allies' de-Nazification programme. In the bombed-out Berlin of the immediate post-war period, the Allies slowly bring law and order to bear on an occupied Germany. An American major is given the Furtwangler file, and is told to find everything he can and to prosecute the man ruthlessly. Tough and hard-nosed, Major Steve Arnold sets out to investigate a world of which he knows nothing.
The Icon of Firsts: The glistening record of the 100th performance. Relive IU and UAENA's electrifying energy as they light up Seoul World Cup Stadium with unforgettable performances of masterpieces like "Love wins all", "Holssi", "Shopper", "Celebrity", "Last Fantasy". Witness the spectacular drone show that illuminated the Sangam night sky! The final chapter of The Winning journey comes to life on screen!
Nekomata Okayus first solo live concert, performed at Tachikawa Stage Garden 30.09.2022. Featuring special guest Inugami Korone
A musical drama in three acts that explores all the facets of love. Venice Baroque Orchestra, conducted by Andrea Marcon. Andrea Palladio Choir, with Enrico Zanovello as choirmaster.
Based on Roger McGough's PC Plod poems, a series of quick comic sketches performed by The Scaffold.
Basically, Kafka’s Metamorphosis is unfilmable. After all, the author didn’t want visual representations to appear of the insect Gregor Samsa turned into; readers should visualise that themselves.