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Jonathan Tetelman and Vida Miknevičiūtė lead the cast in the Deutsche Oper's highly anticipated new production of Giordano's Fedora – a verismo gem that mixes elements of international espionage and intrigue with grand romance, all set to music of irresistible melodic power. Continuing his series of acclaimed stagings of early 20th-century Italian operas at Deutsche Oper, Christof Loy promises to bring a characteristic mixture of intelligence and style to Giordano's work, while the world-class cast – conducted by John Fiore – guarantees a feast for lovers of great singing. A gripping operatic treat for aficionados and newcomers alike.
A girl named Ban Hee-Soo who records the NewJeans members as they are dancing and playing around as friends usually do in her video recorder. As the music video goes on, we'll see that Ban Hee-Soo starts noticing a boy while she was recording NewJeans. She seems to have a little interest in him and so does he. There is a lot more to this.
Two Memphis women with big hearts — a dating coach and a once-great Beale Street blues singer — find themselves unexpectedly alone for Christmas. Determined not to spend the holidays in heartbreak, they form an unlikely friendship and help each other take bold steps toward love, healing, and second chances — all set to the rhythm of Memphis soul.
A documentary about various singers, musicians, artists, astrologers, etc., who attended a "New Age" gathering in Maui, Hawaii.
Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.
The film portrait of Dragoljub Đuričić, one of the best musicians and drummers of the former Yugoslavia, reveals the story of the rock scene of Montenegro and its beginnings in the 60s, as well as the development and growth of rock culture in the Balkans during the 70s and 80s.
No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.
One couple, two perspectives, countless ways to move on.
A miniature film set to classical music. A cart drives down a gray city street. Behind the houses, instead of the sun, a spinning wheel emerges, from which a broken thread falls into a nearby puddle. A little girl runs down the street. Suddenly, she stumbles and falls into the puddle. Tears from the animated houses fall into the puddle. The drops of tears "revive" the thread, which transforms into a fairy-tale skein and weaves a new dress for the girl. A spinner with a spinning wheel appears and weaves colorful strands around everything. Flowers bloom in the windows of the houses, and the gray walls are covered with vivid colors. The girl, carried by the skein, soars above the houses of what is now a colorful town.
Guitarist John Abercrombie combines bop and free jazz stylistic elements with electronics utilizing phase shifters, guitar synthesizers and the good old volume pedal. What has kept his playing fresh is his refusal to be chained by these digital devices. As he told Down Beat writer Bill Milkowski, "I try to adjust my playing to the timbre and learn something about how to play that sound, yet at the same time I have to try and force the instrument to play with me a little bit. In other words, I sometimes try to overplay the instrument." SOLOS: THE JAZZ SESSIONS spotlights unaccompanied performances by some of the legends and bright young stars of the jazz world. Designed and recorded specifically for television, SOLOS offers viewers front row seats for an intimate and unique jazz experience.
In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.
In this epic musical, two brothers are driven onto opposite sides of the American Revolutionary War. With love, loyalty, and family caught in the crossfire, each must decide who he will become, as the fight for freedom turns into a deeply personal battle for forgiveness.
Nash The Slash was deliciously surreal, verging on demented. A mummy wrapped in surgical bandages, an invisible man in full formal white tuxedo and top hat buzz-sawing his violin through endless reams of electronics, melodies and distortion. His music and image were demanding. His life was rock fantasy. ‘NASH THE SLASH RISES AGAIN!’ uncovers the sinister Canadian electronic music innovator. A classically trained violinist and multi-instrumentalist, he created music that was an unlikely combination of prog-rock, punk-rock, classic-rock, psychedelic fused with techno and industrial before they had names. The end result is an unearthly life drenched in film history, enveloped in a wall of sound that would do Phil Spector justice. A career embodied in artistic integrity, courage and the price-tag that comes with it. ‘NASH THE SLASH RISES AGAIN!’ unwinds the bandages of a ground-breaking, mad musical scientist whose career decomposed before the world caught up.
In 1922, a would-be classical composer gets involved with people putting on a musical revue.
As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.
In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko.
Jane is a nice girl and has had her eyes on a young man who seems more interested in his hand-built car than in Jane. She decides to shed her "nice girl" image when an associate of her father comes to town on his way to study Australian Aboriginal tribes.