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Oração is a song-film where two musicians and a dancer elaborate the relationship between Afro-Brazilian diasporic memory and popular song. Based on a reference to collage and beat, the film develops strategies for inventing the memory of bodies historically deprived of their history and their affections. A proposal for the present and also for the future, a request, a thank you. The voice, the song, as a place of sharing, healing and singing: a prayer.
Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.
A Shrek parody of Michael Jackson's Thriller song and music video, with Donkey singing.
Mothertongue is a dance film that sheds light on the shared and personal experiences of parenthood. It speaks truthfully to the often dark and multilayered narratives, whilst celebrating the sheer power and moments of incomparable joy. It seeks to challenge the expectations of how a mother can behave, and explores the often unspoken emotions, unpaid labour, physical transitions, guilt, rage, sexuality, isolation and unrealistic expectations. It is intimate, contradictory and unapologetic.
The lives and loves of 5 young people of the Uighur minority in Xinjiang set in a musical that reflects the upsurge of disco and breakdancing in late 80s China.
Gypsy's mother Rose dreams of a life in show business for her daughters, but Louise becomes a huge burlesque star. Stage musical loosely based on the memoirs of Gypsy Rose Lee.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
Classical music student arrives from Buenos Aires to live with his rocker cousin in Rio De Janeiro. Between parties full of rock and roll, he has to decide between his childhood girlfriend, now a respectful businesswoman, and the volleyball player Vera.
Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".
From Seoul to Los Angeles, Texas to Mexico City, BTS ARMY is everywhere. FOREVER WE ARE YOUNG dives into the passionate fandom that catapulted 21st century pop icons BTS into a global household name. We meet fans at a BTS-focused ReactorCon in Lewisville, Texas, a dance instructor in Seoul who only teaches BTS choreography, and fans who’ve been organizing since 2013 to help BTS dominate the charts. Defying stereotypes of pop fans as screaming teen girls, ARMY is an intergenerational, culturally savvy, and socially active movement that is as diverse as the world itself.
The actress is to produce a play with the local amateur group and old romantic flames are rekindled. At the same time an American army unit is making experiments with a new and powerful energy source in the vicinity, promising the community a prosperous future.
Queen Aggravain has ruled that none may marry until her son, Prince Dauntless marries. However, she has managed to sabotage every princess that come along. When Sir Harry and Lady Larken learn that they are going to be parents, wed or not, he goes off to the swamps and brings back Princess Winnifred ("Fred" to her friends).
A Jewish resort hotel celebrates a pair of longtime customers' fiftieth wedding anniversary by staging an old-fashioned Borscht Belt show replete with singers, dancers, comedians, and impressionists.
As part of the Viva Verdi initiative organized by the Ministry of Culture, the Teatro Comunale di Bologna presents an evening dedicated to the masterpieces of Giuseppe Verdi at the Comunale Nouveau venue. Conducted by Daniel Oren.
A manifesto for radical trans-humanism.
After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.